MARK EDWARDS

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    • REVOLT
    • Spiritual world, Thailand
    • Blue Series
    • Activism/Aquaculture
    • Oil Pastels
    • Red Series
    • Ceramics
    • Bodies
    • Drawings
    • Evolution/Paper Mache
    • Anzac/Habitat
  • CV
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  • Artist's Statement
  • Blog
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  • Home
    • REVOLT
    • Spiritual world, Thailand
    • Blue Series
    • Activism/Aquaculture
    • Oil Pastels
    • Red Series
    • Ceramics
    • Bodies
    • Drawings
    • Evolution/Paper Mache
    • Anzac/Habitat
  • CV
  • Bio
  • Artist's Statement
  • Blog
  • Contact

A way of looking through the image, the transferring of a bodily space beyond the surface. Sculptural possibilities looking through to another world. /June 25, 2020 by Mark Edwards

Like Lucio Fontana Spatial Concept, series 1958-1968, my work attempts to redefine the experience of an active viewer, as you walk through in and out from the floor looking up from above looking down, how these 15 sheets of moulded paper temporal presence moves to a space beyond.

← Cy Twombly’s Untitled (Funerary Box for a Lime Green Python), 1954 The fragility and temporal presence of a house. My own imaginary safe haven living beyond the external barriers and confines to another world far removed. →